Marco Palmezzano, Holy Family with the Infant Saint John the Baptist Essay - 1

Marco Palmezzano, Holy Family with the Infant Saint John the Baptist - Essay Exampleainter near the Umbrian school, the first who practised foreshortening with a good deal success and one of the most outstanding fresco painters of the 15th century....Marco Palmezzano, 1an Italian from Forli, Romagna ( 1460 1539) would be considered as a High Renaissance Artist would depend upon which of his kit and caboodle was being considered. He originally trained as an artist under the master Melozzo da Forli and his earliest work is perhaps the fresco decoration geological dating from around1480-84 of the vault of the sacristy of the treasury at Santa Casa, Loreto, which was designed by Melozzo da Forli considered to be a great master of perspective and had worked with the better known Piero Della Francesa. Marco was running(a) with his teacher on fresco for the Capella Feo in S.Girolamo, in the town of Forli when the older man died, work that has since been destroyed by war action. Henry L a Farge says of the relationship between the two artists Mellozo and Della Francesca that Mellozo-It is apparent that he had also studied architecture in Urbino, according to an article originally written in 1915.3 This seems likely when the fine architectural detail in many of his works is considered , including the one under consideration, as well as his familiarity with various types of marble and his ability to puke them on canvas or other material. The same writer points out how Marco Palmezzano would signed himself as the pupil of Melozzo, and the fact that this has caused confusion as to who actually multi-color a piece and their works have consequently been misattributed. This would also in part explain why Palmezzano is relatively unknown despite having works on exhibition in such prestigious places as the National Gallery4 and The Courtauld Institute, both in London, but also in many other places in occidental Europe, in Australia and the United States of America. At s ome point in his twenties Palmezzano he traveled to Rome, where it is possible he painted the fresco in the perform